Since I love to write nuanced characters, who the reader will either love to hate or will love but be frustrated with at times because they are REAL people living in shades of gray rather than black-and-white and making poor choices at times, those are the kinds of shows I seek out. That's why I love Mad Men and it's a large part of the reason why I've managed to watch two seasons of Sons of Anarchy in less than two weeks. Seriously, I watched half of season three on Sunday alone. It was insane. I spend a lot of time pondering the characters and how the writers make me empathize with people I would normally dislike and keep me going on the roller coaster ride with the characters I do like even when they make one bad choice after the next, but character development is something I'd like to think I'm pretty good at... I have a bunch of tools for it anyway.
On the other hand, my biggest weakness as a writer is backstory. It probably goes hand-in-hand with the character development thing. I know so much about my characters and have fleshed out their history in such a big way that I can't help bringing it into the book. Without fail, every time my critique partners get back to me on a manuscript, they ask if I can somehow trim the backstory. It is the bane of my existence. Not them saying that because they are almost always right, but the trimming. Ugh. Especially with this book because there is so much history, not just for my character but for her entire family.
I noticed a really interesting thing while I was watching Sons of Anarchy though. We were thrust into the lives of these interesting, insane characters in this motorcycle club which obviously has a lot of history. Plenty of hints were dropped about the past, many of which caused me to turn to my husband who has already seen the first four seasons of the show and ask questions. Of course, he'd always shake his head at me and tell me to be patient. (And let me just say that gentle reprimand occurs a lot in our marriage!) So I kept waiting for the flashbacks, like the ones we got in Mad Men as Don Draper's secret history was revealed. But three seasons into the show and I've yet to get a single flashback.This frustrates me a bit because A. I'm impatient and B. I'm so character history obsessed, but for the most part it leaves me in awe. There is still backstory on Sons of Anarchy, it's a show with rich characters who have a lot of history, but it's only given to us in the moment. We learn about the past through dialogue. The past comes up when it's relevant to show, like when someone's former lover shows up. Still, these are places where I would be tempted as a writer to pause and let my character reflect via flashback, but on SOA they never do. You learn all you are going to learn from what the character's say, write (there are some voice over monologues from Jax's dead father, but we only get those when Jax is reading things his father has written), and from the expressions on their faces, body language, and physical reactions.
And I am fucking jealous.
I don't think I'd be capable of doing this. Definitely not with the book I'm currently working on and the other ideas I have also seem too drenched in character history to pull off something like what SOA does. But one day, dammit. It will be a goal.
For now, I just am going to have to rely on my CPs and a bunch of handy highlighters when I finish a manuscript so I can look at where I've gotten too backstory heavy and how I can trim and redistribute. However, when I can I will be trying to find ways to get history across in a scene/through dialogue. And for those of you who struggle with backstory and are RWA members, do check out the recent Romance Writers Report for an interesting article about how to cope with your oversharing habit.
What about you? Do you have backstory issues or tips for dealing with it? And what TV shows have taught you what kinds of writing tricks?
Posts
