Now, today's guest blogger is author Daniel Kraus
DANIEL KRAUS is a Chicago-based writer and filmmaker. He is the director of six feature films, including Sheriff (2006 season premiere of PBS's Emmy-winning "Independent Lens") and Musician (2007 New York Times Critics' Pick). His first novel, The Monster Variations, comes out in August from Random House/Delacorte. His second novel, Rotters, will come out from Random House/Delacorte in 2011. He has written regularly for such magazines as Cosmopolitan, Playboy, Maxim, and Salon.com. Visit him at www.danielkraus.com and www.workseries.com.
Note: The Monster Variations came out today, so go get it!!!Here's Daniel's ballad:
When Guns 'n' Roses' first album hit the small Iowa town where I grew up, it completely took over. Guys drew the logo on their arms and even girls wore concert shirts featuring images of robot rape. Despite the unsavory nature of much that surrounded GnR, they were, oddly, something everyone could agree on: jocks, dorks, cheerleaders, burnouts, geeks. GnR literally ruled.
But this isn't about GnR. Appetite for Destruction came out in 1987, when I was 12 years old, and to fill up the years before that glorious bomb dropped, I listened to metal. Quality was not a concern. As long as the lyrics made frequent use of imagery like "bullets," "bone," and "nights on the run," that was good enough for me and my friends. Our poison of choice was Dokken, a mostly forgotten hair metal foursome who reached their pinnacle of popularity after recording the title track to Nightmare on Elm Street 3: the Dream Warriors. I was also obsessed with that movie, but that's another, even longer story.
Then, the strangest thing. It was 1986 and MTV started airing a video by a mild, dad-like fellow named Paul Simon called "You Can Call Me Al." Certainly I mocked this song. We were merciless when anything remotely sensitive came on. Motley Crue and Skid Row were ace. U2 and REM were shit. But this Simon guy, I couldn't discount him. I began to dig the tune. I sang it when I was alone. Finally I surreptitiously bought the cassette. It was called Graceland.
I had to hide it when friends came over. There were incidents where I fumbled for the stereo's "stop" button when someone barged in unexpected. But I kept listening. Even as GnR took over and then all the way through grunge and post-grunge and whatever it is I dutifully listened to after that, I have still not quit Graceland. A few years back I bought it on vinyl. Last year I bought it again online.
These days my music taste stretches to everything from avant-garde jazz to black metal to the latest pop trifle, but in a way it all comes back to "You Can Call me Al." Most people's first illicit album was something raw and dirty. Mine was something squeaky clean and G-rated. But it was still rebellion. And every time I embrace something that isolates me, I still feel it: the urge to hide, the sense not to.
I think those discoveries of music that is outside your usual realm are some of the best discoveries. In hopes of helping a few people discover new music today, I will choose 3--- yes 3!-- winners to get a copy of a comp of San Francisco bands, called The Bay Bridged. My friend Mike, who is in one of the bands, the brilliant Social Studies donated these CDs to me. So comment away about your musical discoveries to enter.
+1 for leaving comments on the interviews and guest blog I told you about above
+1 for blogging/tweeting about those
Just note your additional entries in your comment. Winner will be chosen at random on Monday August 17.
Tomorrow, we're doing things a little differently since I want those of you who are new to my blog via this party to have the opportunity to check out one of my regular features: Women Who Rock Wednesday. So Gwendolyn Glover, author of Cast The First Stone, will be here to do a WWRW interview. Of course there will still be prizes, so please come back to see what she has to say!













